At the beginning of the movie “Everything Everywhere” (2023), Evelyn Wang tries to the Jagel between countless tasks – the income tax climb that is waiting to be fulfilled to the preparations to visit her father who came from China. Then the film gets a MDA twist: Evelyn discovers that the task is to save the world from an entity capable of moving between parallel universes.
In Evelyn’s journey between dimensions, viewers are exposed to an uninhibited show of vulgar, violent, ridiculous and crazy images, such as a battle against Fitz and a dialogue between a pair of stones. These meaningless images are supposed to express our spirit: a time when everyday life is conducted within an illogical and never -ending stream of content muscles and pieces of information detached from the context, which are constantly bouncing in front of our eyes – from screen to screen and conversation.