Biglu and Van Saint returns through Venice … and the stories of politics and madness present art

After many years of absence from the screens, the brilliance in the American cinema, director Gas van Saint and director Catherine Beglo, returns to the spotlight, as each of them keeps pace with his movie at the Venice Film Festival.

Beglo has not participated in any work since the 2017 Detroit movie, which deals with the riots that occurred in 1967 and how local police officers treated with them.

With the movie “A House of Dynamite” participating in the official competition, the director presents a political teaser that revolves in the White House, and is the launch of an unknown enemy a nuclear missile towards the United States. It is starring Idris Elba and Rebecca Ferguson.

This work is the only 11 -year -old film, which specializes in motion films, which had previously dealt with Bin Laden’s chase in the movie “Zero Dark Thirty” and the daily life of the Disappearance team in Iraq in the movie “The Hurt Locker”, the Oscar of the Best Film 2010.

In a statement to the “Al -Meltra” website, Biglu said that she wanted to “explore the madness of a world that lives constantly under the threat of annihilation, but he rarely talks about it.”

The film – produced by “Netflix” will be shown in cinemas in a limited way – before being available on the platform on October 24.

harassment

For his part, director Van Saint -from the same generation is attending the same age as Biglu – the Venice Festival to keep pace with the showing of a teaser inspired by real events, after 7 years of his last films.

Throughout his artistic career, the director moves between independent cinema and Hollywood films.

The film, which is located outside the official competition, deals with “Dead Man’s Wire”, which left a major impact in the United States in 1977, when Tony Kertis – who was under the debt – decided to detention of his creditor hostage, and he is the director of a real estate loan company.

“I hope the film will not cause great concern, despite realizing that we live in a difficult stage, and some discomfort may be inevitable,” said Van Saint, the winner of the Golden Parachis Award at the 2003 Cannes Festival for Elephant.

The film will be shown later at the Toronto International Film Festival, but the date of its presentation in the halls has not yet been determined.

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In the movie “The Stranger”, Francois Ozone is eating a prominent French literary work (L’ETranger, “The Strange”) is among the most translated books in the world.

Vicino Veskonte has previously transformed Albert Camus’s novel – which was published in 1942 – into a movie in 1967 starring Martchilo Masteri.

This time, Benjamin Fawazan plays the role of the humble employee whose life turns upside down in Algeria that was under French colonialism, after the death of his mother in the late thirties of the last century.

The film – which was filmed with a high technique in black and white and nominated for the Golden Lion – is a way to explore relations between France and Algeria, and “heavy silence that often weighs our common history,” according to Ozun.

It is expected that the festival will also witness the stars showing dresses for the most prominent fashion designers, and Sofia Coppola also presents its first documentary film dedicated to her friend Mark Jacobs.

The film deals with the march of the fashion designer in the 1990s, which still runs the brand bearing its name.